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This collaborative display showcases the efforts and achievements of Central Piedmont students and employees in the realms of art and advocacy over the course of six decades.

Creative Outlets (2022)

The Central Piedmont Archives presents Creative Outlets: 60 Years of Achievements in the Arts and Advocacy

This collaborative display showcases the efforts and achievements of Central Piedmont students and employees in the realms of art and advocacy over the course of six decades; portraying how the creative minds of our community generate powerful works of art and impactful works of advocacy for our society and beyond.

The exhibition starts with highlights of student-created works from a variety of fields, from engineering to creative writing and photography. It then focuses on Central Piedmont graduate John H. White. His documentation of African-American communities in Chicago's South Side neighborhood earned him the Pulitzer Prize in 1982. His everlasting presence continues to encourage and inspire Central Piedmont students to "shoot from the heart" and "Keep In Flight!" In closing, the exhibition takes a closer look at advocacy-related initiatives carried out for students and by students.

A special thanks to Jesse Bennett, Jennifer Conway, Michael Long, Dr. Alain Miatudila, Amelia Zytka, members of Phi Lambda, members of the Charlotte Racial Justice Consortium, and most importantly, the students of Central Piedmont, for their support, guidance, and inspiration for developing this exhibition.

Quote by Alicia M. Hopkins from ArtsNow.


The arts as a “concept” is a powerful tool for storytelling, for educating, for connecting, and for advocating. The arts can take many forms - song, creative writing, sculpture, dance/theater, photography, digital design, 3-dimensional design - the possibilities are endless.

All patrons of the arts have a different experience. Some may notice the nuance of the strokes, others may notice the emotion captured in an image, while others experience the work in a way the designer never intended. That is the beauty of art; it gives a voice to the voiceless and a platform for those without a stage.

Throughout this exhibit, we encourage our audience to see the objects on display as both works of art and works of advocacy. Some items showcased here were created for class credit, others as a creative outlet, and some as an advocacy tool. These items were selected based on their beauty as well as their ability to advocate for causes greater than ourselves.

We all have a role to play as creators, educators, and innovators. We hope this exhibition will inspire you to support whatever causes are dear to you and create something that can support that cause.

Click or tap on the tabs above to explore the exhibit.

Arts

  1. Prepare for Tomorrow, Think today! by Keith Morris
    Description: A charcoal sketch by Keith Morris, a first quarter student, drawn during a 5-minute timed exercise in Mr. Moody’s Commercial Art and Advertising Design class. It hung in Dr. Hagemeyer’s office.
    Dimensions: 18” x 24”
    Type / Medium: Drawing / Charcoal
     
  2. My Friend (2018) by Julan Shen
    Description: Ceramic bust of a woman smiling with her eyes closed. It received the 2018 Arzberger Purchase Award.
    Dimensions: 13” x 9” x 10”
    Type / Medium: Sculpture / Clay
     
  3. Out of Clay II (2017) by Sheridan Hathaway
    Description: Earthenware colored ceramic triangular teapot with a triangular base.
    Dimensions: 21.5” x 17” x 7”
    Type / Medium: Sculpture / Ceramic
     
  4. Joker's Wild 1 and 2 (2016) by Jona Maiorano
    Description: Two cuffs decorated with prisma color pencils. It received the 2016 Presidential Purchase Award.
    Dimensions: 3” x 3” x 3”
    Type / Medium: Jewelry / Copper, felt, liver sulfur, prisma color pencils
     
  5. Bronze Necklace (2018) by Angela Stephens-Owens
    Description: Gold pendant in an abstract shape with multiple teardrops.
    Dimensions: 1.5” x 1.75”
    Type / Medium: Jewelry / Bronze, leather
     
  6. Garden Bird Feeder (2017) by Manal Esmail
    Description: Ceramic bird feeder with flowers and leaves decorating the bird feeder shape.
    Dimensions: 12.75” x 16” x 15.50”
    Type / Medium: Sculpture / Ceramic

Engineered Creations

The following works were class projects created under the instruction of Scott Bradey. Each student involved in the project was responsible for creating specific parts. From left to right:

  1. Sail Boat (ca. 2019) - The sail boat was made by Scott Bradey's students in MAC 228. In the Advanced CNC Processes (MAC 228) course, students learned to manufacture complex parts using CNC turning and milling centers.
     
  2. CPCC Robot – NC Science Festival (ca. 2015) - The CPCC Robots were made by 4 separate classes under the instruction of Scott Bradey (MAC 111BB, MAC 142, MAC 228, and MAC 234).
     
  3. This pinwheel-like object was created by Thanh Nguyen, Austin Hill, Jonas Bollard (Fall 2019). It was also created in MAC 228.
     
  4. Chess Set (ca. 2013) - The chess set was made by Scott Bradey's students in MAC 222. In Advanced CNC Turning (MAC 222), students learned the setup and operation of CNC turning centers.

Click or tap here to visit Central Piedmont's Art Galleries.

Creative Writing

The art form of creative writing is quite versatile - from sonnets to poems, short stories to haikus - hundreds of Central Piedmont students have created wonderful works of literature over the course of six decades.

Preserved in the college archives are some editions of literary magazines such as The Hammer, The Keystone, and the Paul Atwell Literary Magazine. The Hammer was founded in 2017 and is currently run by the Central Piedmont English department, with support from other departments.

The next unique project featured in this case is the “Archival Revival” project, where students use an archival photograph as a writing prompt to create whatever type of writing piece they prefer. This project was based upon the ekphrastic writing style taught in ENG125 - Creative Writing.


Literary Magazines

The Paul Atwell Memorial Literary Magazine (Winter Quarter 1977), a Central Piedmont Community College student publication. The featured works are “Knowing” by Marjorie Witt Johnson and an untitled poem by M. Savacool.

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Keystone 1999, CPCC’s Creative Arts Magazine. The featured works are “In Our Kitchen” by Jessica Anne Squires, “Forgotten” by Kathy S. Jerolimic, and “Godzilla” by Jodie Steele.

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The Paul Atwell Memorial Literary Magazine (1982-1983), a Central Piedmont Community College student publication. The featured story is “A Feline Episode” by Evelyn V. Johnson. Photo by Cathy Boyd.

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The Hammer (Spring 2020), Student Arts and Literature Magazine. The featured poem is “No Chairs At The Bus Stop” by Ana Wengert-Ramos.

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The Hammer (Spring 2019), Student Arts and Literature Magazine. The featured works are “Profiling at the Parade” by Miranda Maynor and “Wonderboy” by Tucker Fraetis.

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Archival Revival

As part of class assignments for ENG 125 students, English professor Angelina Brooks collaborates with the Central Piedmont Archives over four semesters for the Archival Revival project. For this assignment, students are instructed to curate a creative writing piece using archival photographs from our photographs and publications collections.

The purpose of this assignment is to present the archives to students in a more creative and inviting way. Using images of our past as writing prompts for a new story, helps students to think more in-depth about the source they view, and about what can be said and “unsaid” when viewing an image.

On display are four student poems along with their accompanying archival images taken by student photographers. The student works are from Fall 2019 through Spring 2021.

Visit the Archival Revival LibGuide to view all student works.

Click or tap here to read more "Archival Revival" works.

Photography

John White Photo Purchase Award Winners

As a result of his impact upon Central Piedmont, the John White Photo Purchase Award was created in his honor. Mary Kicklin was the first student to win this award. This award is still active today, given to Central Piedmont students in amounts up to $300. The work is then added into the College’s permanent art collection and displayed throughout all campuses.

Friday Night (2015) by Scout Rosen
Description: Photograph of couple at dinner table sharing an intimate moment - taken from outside of the house.

Rustiez (2022) by Huynh Bya
Description: A run-down brick building with a maze of pipes attached to the exterior wall. Beside it stands a utility pole supporting a variety of cables.


Photographs by John White - Donated to Central Piedmont

Hallelujah (2013)
Description: Black and white photograph of a man with an open mouth crying out in jubilation.

Ballet Dancers
Description: Ballerinas at practice.
Caption: To Central Piedmont Community College - The Springboard of My Career - Thanks - John White


Photographs by John White - From the U.S. National Archives

John White documented the life of African American communities in Chicago's South Side neighborhood during the summer of 1973. This earned him the Pulitzer Prize in 1982.

Photo #1
Date: July 1973
Original Caption: A Black man who is jobless sits on the windowsill of a building in a high crime area on Chicago’s South Side.

Photo #2
Date: May 1973
Original Caption: Empty housing in the ghetto on Chicago’s South Side Structures such as this have been systematically vacated as a result of fires, vandalism or failure by owners to provide basic tenant services.

Photo #3
Date: June 1973
Original Caption: Black sidewalk salesmen arranging their fresh fruits and vegetables on Chicago’s South Side.

Photo #4
Date: June 1973
Original Caption: Black owned business on Chicago’s South Side. The city is believed to be the Black business capital of the United States.

For full captions and to view the rest of John White’s Documerica collection, visit the U.S. National Archive's Flickr Album.

Click or tap here to visit John White's "Documerica" album.

One of Central Piedmont’s most famous alumni is photographer John White. He graduated from Central Piedmont in 1966 with an applied sciences degree and a focus in art-photography. Throughout his career, John White went on to receive numerous awards, including the Pulitzer Prize in 1982 for his work as a photographer at the Chicago Daily News, which documented life of African-American communities in Chicago’s Southside neighborhood. John White was the first (and perhaps the only) community college graduate in history to win a Pulitzer Prize.

To celebrate this momentous achievement, Central Piedmont invited John White to the campus, where he was honored with the Richard Hagemeyer Educational Advancement Award and Mayor John Belk declared June 11, 1982 as “John White Day.”


"John White Day" Archival Materials

  1. A studio portrait taken by the CPCC Media Production Department of John White holding his camera.
  2. A handwritten document with details about the ceremony honoring John White.
  3. A North Carolina National Bank invitation to the reception honoring John White.
  4. The itinerary for the Hagemeyer Award Ceremony held on June 11, 1982.
  5. John White standing beside CPCC’s “Meet John White” sign.
  6. John White and his son.
  7. John White and his family at the ceremony.
  8. John White and Mike Myers at an event honoring Mr. White and his family, where Mr. Myers presented him with the Hagemeyer Award.
  9. A personal message from John White to E. Fay Foster written on the title page of The Final Journey of Joseph Cardinal Bernardin (1997).
  10. A photo of John White with Joseph Cardinal Bernardin in The Final Journey of Joseph Cardinal Bernardin (1997).

The Central Piedmont Phi Lambda chapter of Phi Theta Kappa (PTK) is dedicated to local community service and service to our college community through education and hands-on activities. From scholarships to service and leadership experience, Phi Theta Kappa is a great way to learn the skills that will make you a valuable employee and an asset to your community.

The purpose of Phi Theta Kappa is to recognize and encourage scholarship among two-year college students. To achieve this purpose, Phi Theta Kappa provides opportunities for the development of leadership and service, for an intellectual climate to exchange ideas and ideals, for lively fellowship for scholars, and for stimulation of interest in continuing academic excellence.

On display are images, scrapbooks, awards, and textural materials highlighting the advocacy efforts of our PTK students, as well as the positive impact Phi Lambda has upon our college and local communities.


Phi Lambda/PTK Artifacts


This 2003-2009 PTK scrapbook contains photos, handwritten cards, and cut-outs from the 2005 Induction Ceremony program. The “Phi Theta Kappa: The Door to Phi Lambda” scrapbook documents the early years of PTK and its establishment in 1970. It contains newspaper clippings, newsletters, photos, and more. The “Phi Theta Kappa: The Door to Phi Lambda” scrapbook documents the early years of PTK and its establishment in 1970. It contains newspaper clippings, newsletters, photos, and more.

Left: This 2003-2009 PTK scrapbook contains photos, handwritten cards, and cut-outs from the 2005 Induction Ceremony program.

Center and right: The “Phi Theta Kappa: The Door to Phi Lambda” scrapbook documents the early years of PTK and its establishment in 1970. It contains newspaper clippings, newsletters, photos, and more.

Click or tap here to learn more about the PTK Honor Society.

Founded in 2020, The Charlotte Racial Justice Consortium (CRJC) is a partnership between Central Piedmont Community College, Johnson C. Smith University, Johnson & Wales University - Charlotte Campus, Queens University of Charlotte, and the University of North Carolina, Charlotte. In 2020, the CRJC was selected by the Association of American Colleges & Universities (AAC&U) as a Truth, Racial Healing, and Transformation Campus Center.

CRJC’S GOALS

  1. Understand, recognize, and work towards healing the separation in Charlotte’s segregated past and present.
  2. Embrace a more comprehensive narrative on race.
  3. Build respectful and trusting relationships among diverse members of our university and Charlotte communities.
  4. Develop student, staff, and faculty leaders who facilitate truth-telling, racial healing, and transformation.
  5. Transform the language and culture of race and racism on our campuses and in the Charlotte community.

Artifacts


CRJC 2021-2022 cohort sweatshirt with Central Piedmont on the front; the CRJC logo on the left sleeve and 1963 (the year CPCC was established) on the right sleeve. CRJC 2020-2021 cohort t-shirt with the words “Truth, Racial Healing & Transformation” on the front.

Left: CRJC 2021-2022 cohort sweatshirt with Central Piedmont on the front; the CRJC logo on the left sleeve and 1963 (the year CPCC was established) on the right sleeve.

Right: CRJC 2020-2021 cohort t-shirt with the words “Truth, Racial Healing & Transformation” on the front.

By 1972, Central Piedmont’s campus and student population began to grow exponentially. President Dr. Richard Hagemeyer quickly realized that while the campus was growing rapidly, there were still an overwhelming number of people throughout Mecklenburg County in need of an education, yet were unable to commute to campus.

Dr. Hagemeyer advocated for funding in hopes of building other campuses throughout the county. Though his requests were denied, he sought other ways to provide equitable access to education in the days before the internet. It was out of this necessity that the concept of “Distance Education” was born.

Through the Rural Renaissance Project, which utilized local newspapers, radio, television, and even the telephone, Central Piedmont created a variety of services through partnerships which provided access to educational materials for all who wished to learn.

Over time, these “analog” services evolved into the digital services our society has grown accustomed to. As a student, imagine yourself having to use the telephone to listen to your textbook passage; or using the newspaper to receive your weekly assignments for your courses.

The items on display peel back the layers of time and serve as evidence of the tenacity of Central Piedmont to provide equitable education by any means necessary.


Telephone

  • handwritten draft of “The History of Mecklenburg County.” It was Program #155 in the DOLLY system.
  • The final, typed-out version of “The History of Mecklenburg County” with “155” in the top right-hand corner.
  • The DOLLY program expanded to include the DOTTY (Dial our Teletypewriter Yourself) system. It was designed to give hearing-impaired citizens the same service DOLLY provided to others. The Inside CPCC newsletter highlighted the debut of DOTTY in their December 4, 1981, issue.
  • DOLLY (Dial Our Listening Library Yourself) was a phone/tape system developed by the Distance Learning Division in 1975. It provided access to hundreds of taped programs in multiple languages to anyone who called the specified phone number. The DOLLY Catalog lists all 912 programs, from “How to Register at CPCC” to “What is Mental Health?”
  • The Program #155 cassette tape with a recorded version of “The History of Mecklenburg County.”
  • Vintage rotary telephone generously donated by Mr. Martin S. McFly.
  • Eva Hunter operating DOLLY at Central Piedmont, Fall/Winter 1976-1977.
  • Filing cabinet with cassette tapes of recorded programs and lectures.

Newspaper

  1. A Central Piedmont letter dated May 1975 introducing THE COURSE, a “locally written and directed college course where the textbook is delivered into your home via the Sunday morning newspaper.”
  2. THE COURSE mailing envelope, which included the subject of the week as well as supplementary materials.
  3. The first packet of THE COURSE, titled “This Unfolding Land,” which includes the objective of the project and the steps for a self-conducted tour around Mecklenburg County.

Television

  1. The CPCC TV Telecourse Information Booklet, Winter 1979. Telecourses were courses of study provided over television, specifically on WTVI Channel 42, and offered for academic credit.
  2. Maverick Inventor: My Turbulent Years at CBS by Peter Goldmark.
  3. Presentation of The National Medal of Science program from November 1977. Peter Goldmark was awarded the National Medal of Science for his contributions to the development of the communication sciences.
  4. An agenda of a two-day event in July 1976 between Central Piedmont Community College and the Goldmark Communications Corporation, where Peter Goldmark presented.
  5. Dr. Peter Goldmark presenting in front of an audience with Dr. Hagemeyer in the first row. Dr. Goldmark was an inventor of the Long-Playing Record, which revolutionized the television industry - extending programming from 10-minute to 30-minute segments. His invention was utilized by Central Piedmont.
  6. A student watching an educational video at the old Learning Resource Center (LRC).
  7. Dr. Peter Goldmark featured in an article about innovative methods for making CPCC classes available off campus in a 1977 issue of The Spark, a student publication. Read this issue online through our digital collections.
  8. “Audio Visual Modules For Your Students,” an instructional module catalog from the North Carolina Rural Renaissance Project. Central Piedmont was a participating institution. Here are the cover and inside pages.

Audio/Radio

  1. A reel about the “Progress in Metal Joining” in its case.
  2. A student using reel-to-reel equipment at the old Learning Resource Center (LRC).
  3. Central Piedmont’s Radio Advisory Committee booklet. The Radio Advisory Committee was a group selected to advise the College regarding the operation and programming of CPCC Radio, a system that provided reading and information services for the blind and visually impaired.
  4. cassette tape titled “CPCC Radio Advisory Committee Statement.”
  5. Vintage tape deck player. Courtesy of J. Macias.
  6. CPCC Radio cassette tape labeled, “Program Guide, Spring ‘85.”
  7. A Central Piedmont staff member reads the newspaper over the radio, as part of the Radio Reading Service for the Blind.